thought we were too hard to handle but we were strictly carry-on

yesterday is wrapped in crushed velvet and snakeskin
dirty guitars and grungy hair
and the wrong streets on the right nights
what did we know of rolling stones and gathering moss and clouds gathering in darkness?
hayseed city gawkers sore necked in the windswept leaf littered autumn of a sleepy city
smoking, leaning against an old chevy in the lit circle center of the universe
wondering about things which, 20 years later, we still can't understand
those 20 years slipped by and gone, like a fuzzed out arpeggio issuing from german speakers mounted in 
budweiser longneck boxes, notes and moments indiscernibly blending with distortion

everything is gone (and it didn't take a fire)

antique shop graveyard memories of yesterday dead and sold and slipped away from the boxes we sealed and hid carefully in musty old attics among bare copper wire and motes in the sun beams like stars in the sky
stray pieces of carnival glass and thrift store paintings and boxes of toys long gone and forgotten now filled with holiday decorations, nativity and comical ghosts and silver rings for sacred eggs
and other things that songs and beards and thick southern accents bring to mind
just echoes of faded memories of the past long dead 


on the occasion of my first shipwreck

there was nothing but darkness on the island that winter
the shore froze and nothing useful washed up
we had an old JVC turntable, bought second hand from a synagogue junk sale
and the set procession of the handful of irreplaceable yesterdays that were etched in vinyl that we played each night
in suitable order
to keep the beasts that stalked the shadow edges of our gas furnace fire at bay

my baby thinks she's a terrorist

-she seeds the sidewalk cracks with kentucky bluegrass
-she seeds the courthouse planters with poppies and kush
-she sits in rush hour traffic, tits goose pimpled and nipple hard in the autumn wind, in the middle of meridian street in her grandfather's campaign chair
-she drinks champagne and fingers herself in late night bank lobbies for atm cameras
-she reads emma goldman and mother jones
-she skateboards to her book shop barista part time gig
-she was a mid 90's adbusters centerfold, on all fours obscenely stuffed with a ronald mcdonald butt plug
-she drives drunkenly from grocery store to grocery store, leaving quarters on the carousels to be found by morning children
-she hates panties, wants to Hearst a few banks, and kill a pig or a Polanski
-she abhors food made in labs, but love the drugs that are
-she has ink and plugs and beeswax dreads and an old bus that daddy's checks pay the insurance on (as well as the stomach pumpings)
-she offers a sly fuck you to the passing ski patrol


i have no hand in the cards on the table

i am trying to listen
and you are screaming
screaming in gray clouds
and bright and clean ribbons of green silk in the dirt
and tara in ink
and sons of buk
and sons of escoffier
your speech is pastiche
a language unheard for many years
in an accent i don't recognize


so i sit and smoke and mumble to myself
trying to force your syllables into some sensible pattern
trying to coax the crux of your meaning from the few words i can translate
but my work is sloppy and the meaning i infer is unintended 

the fountain in the three street triangular intersection bubbles with biodegradable soap

fletcher cherry stumble dreams
are just down the street
from water bowls and strawberry jam altars
vans driven through front windows
down the street from a hundred year old church
with a forty year old flickering neon sign
and a congregation that come across the border in the last couple of years
they meet for barbacoa and beer in the restaurant on the square after sunday service
on the opposite end of the block from the chinese restaurant
across from the egyptian place
the null space of gentrification
between a working class past
and borderland yesterday
a ripple of homes on the very edge of the ever ebb flow of the city's edifices
money mingles with poverty
a stalemate of the classes, an uneasy peace
between the vegan urbs
and the budweiser bumpy face inheritors

each day your smile means more than the last

gray in your brown hair
your beauty framed in silver
love is fall again

i'm sorry these words are a few days late

come and gone like a fleeting storm
that blows in from the east and rattles your world
before fading into your next day
nostalgia is worse than being forgotten
nostalgia for the masks that you wore so well
but little for the face beneath them

you were as alien to as the wish to be
and as earthborne as they pretend they're not
they know little of
flatness, fields, and february
expanses of fertile nothingness
cornfield dreams and co-op realities
of feeling the pain (not the pride) of being the outcast

they have complicated your truth and mine as well
fools like i have allowed them, to unworthily try to drape themselves with your mantle
to be pretenders to a throne that never was
just an old velvet chair you dragged from the barn to midtown
worse than that
i have forgotten myself the debt i owe you
the things in me that are you
that i hide away, those real natural parts of our shared heritage and experience
those some things they try to wear as seamlessly
as the masks you wore
but they don't even know which words where yours
and which were overdubbed shoved into your already dead mouth

i wore your glasses
they carried me for miles
eden
past marfa
past griffith park
past paso robles (with that song in my head)
until just south of a westernmost pier
the ocean washed them away
swiftly
and the memories followed, slow but steadily
as the surf erodes the shore

for that i'm sorry

and i will pull my memories of you around me
to kindle my dreams
keep my intentions from being snuffed by the wind

bingo card talking board

i told her she was haunting me
and she said "i always told you that i would"
but not in a productive way, i tried to explain
you are always there, quite tenacious just hanging in the periphery of my being
but never in a chain rattling otherworldly way
neither frightening nor necessarily enlightening
just the dull ache of your absence
a fuzzy spectre of loss
a dark shadow across my moods
she protested, "but i told you"
yes, yes
but i always thought it would be more exciting like Hamlet
not twisted and melancholy like Hamlet
i thought it would be mist and pots rattling
flowing and ragged white linen and whispered omens
not this
this unfilled place, unhealed by time,
the phantom limb you place around my shoulder
finding you not in some static filled EVP recording
but clearly among the lyrics of a random song
you possess my children, i can clearly see your face there at times
staring back at me from a place you never knew could exist
there you are
though you are gone
perfume, smoke, rolling dice, and rattling bottles remain

66 and 2/3 (becoming {what you most hate})

kermit the frog
is what pops into his mind
laying there
blood pouring steadily out
sprawled across the pool table
face down in green felt
and all he can think of is
kermit the fucking frog
when they brought the girl home, a tiny frail thing
they lay her in his hand me down bassinet
with a stuffed kermit the frog to watch over her
as she slept at the foot of their bed
and he could have cared less
if it was kermit, or a schmoo, or donald fucking duck
but he bought the kermit, slipped away to the mall
while the exhausted mother and newborn baby slept
and picked the the stuffed sentinel
he knew his wife loved most
kermit
he would prefer those big scary ass muppets that dance under the arch
in the intro
but his girls would have their frog
why the fuck would he think about this
about kermit
as he bled to death in his favorite bar
and the mother and child slept peacefully
and legally separated (and protected) from him
down in columbus
dave! goddamn i'm dying
give me some music, jesus take a dollar outta my pocket if you gotta
we're looking for just the right thing, man
no free bird though
well anything for now
you got a few songs in you?
fuck you dave..ambulance coming?
i don't know man, something happened down on the tracks and they are tied up
or at least the say they are
what do they care..
care more about a goddamn hobo then one of their own
he couldn't move his head
legs
or arms
but could speak
hear
and see
from his field of view
a trickle of black red rolled thick like honey
towards the sidepocket
"i get around: played on the juke box
jesus, dave
i'm trying here
he couldn't help but see the girls face
she called him a couple of weeks ago
swallowing pride and holding hope
and asked him if he could help her
get a laptop computer
she said she wanted to make movies
and her mother managed to get a camera
and with this laptop she could edit her movies
and then kermit
and a river of blood
and the mother's soft brown hair, making love in the hot afternoon
on the couch between doubles at the red lobster
his father was in west virginia
when he was her age
and he thought he might like to study movies
leave the small town
swallowed his own pride, after months of plotting and practicing
called his old man and put it to him
a vcr to watch and study those classics he loved so much
i'll see what i can do is a "no"
now he understands very well
what it means
to not ever want to tell the truth
to say no
but t0 always try to maintain the hope the child may have
and crush the last dream of connection the two of you share
no matter how tenuous and false it was, born lacking in logic or honesty or history
but of ingrained filial love
and nothing more
he wonders if she still has the kermit
three years since he has seen her to ask
his heart pumps fiercely in despair
spilling more of his blood onto the dirty green felt
and his last thought is of her
and her mother
in the hospital
the two of them, holding the soft and stuffed frog
smiling as he came in the door to take them home
and know that the best thing he has done since then
is to bleed to death on the chatterbox pool table
and spare them ten more years of disappointment and pain


blue lit & spatial

rectangles are trying to eat me
everywhere i go they lurk
up front, in dark corners, in pockets and moving cars
enticing me with their soft blue glow at a distance
placating me with music and beauty as i draw nearer
they know my name and speak in the voices of my friends long forgotten
they nibble on my fingers
and suck the moisture from my eyes
making us their servants, delivering their lifeblood
human hearts pumping data from on station to another
feeding the digital beast with a million faces
each a glowing rectangle



the winter of '37 bearing down

the air grows colder
the wind blows a bit harder
my mind has grown stiff